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Reader's theatre · All ages

If—

by Rudyard Kipling · public domain, from Project Gutenberg ebook 556

Advice verse with no violence, fright or sorrow. Fits any year level. Staging: Short stanzas deal neatly across four voices; let the last two lines go to everyone.

Cast: 6 voices plus everyone on the refrains.

2 voices3 voices4 voices5 voices6 voicesPrintable script (PDF)

The cast, side by side

Voice One · 8 cues

If you can keep your head when all about you Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or being lied about, don’t deal in lies, Or being hated, don’t give way to hating, And yet don’t look too good, nor talk too wise;

Voice Two · 8 cues

If you can dream--and not make dreams your master; If you can think--and not make thoughts your aim, If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you’ve spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build ‘em up with worn-out tools;

Voice Three · 8 cues

If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: ‘Hold on!’

Voice Four · 8 cues

If you can talk with crowds and keep your virtue, Or walk with Kings--nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds’ worth of distance run, Yours is the Earth and everything that’s in it, And--which is more--you’ll be a Man, my son!

Voice Five · 0 cues

Voice Six · 0 cues

Everyone · 0 cues

This ballad has no repeated refrain; everyone joins the final stanza.

Reading order

Voice One

If you can keep your head when all about you

Are losing theirs and blaming it on you;

If you can trust yourself when all men doubt you,

But make allowance for their doubting too;

If you can wait and not be tired by waiting,

Or being lied about, don’t deal in lies,

Or being hated, don’t give way to hating,

And yet don’t look too good, nor talk too wise;

Voice Two

If you can dream--and not make dreams your master;

If you can think--and not make thoughts your aim,

If you can meet with Triumph and Disaster

And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

And stoop and build ‘em up with worn-out tools;

Voice Three

If you can make one heap of all your winnings

And risk it on one turn of pitch-and-toss,

And lose, and start again at your beginnings

And never breathe a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will which says to them: ‘Hold on!’

Voice Four

If you can talk with crowds and keep your virtue,

Or walk with Kings--nor lose the common touch,

If neither foes nor loving friends can hurt you,

If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run,

Yours is the Earth and everything that’s in it,

And--which is more--you’ll be a Man, my son!

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